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Doc Brodie and the Big Thank You

In the past few months, I’ve thought a lot about where I’m going with my writing career and if I’m really cut out to be a full-time author.

Sales for “Connection” were subpar (my own fault for not promoting it adequately). Sales for “Trust” were better (but being the second book in a series I hadn’t promoted enough made them less than stellar). Sales of my backlist were solid; enough to pay the bills while I’m living with my parents, but certainly not enough to pay rent if I moved out.

When road blocks hit as I was writing “Push & Pull” (the second in the Midwest series) I began to panic. What if I’d been fooling myself? What if I wasn’t cut out to be a writer at all? With depressing thoughts of having to get at least a part-time job again whirling in my head, I gave myself an ultimatum. If my next two releases didn’t do well, I’d look for the part-time job. In the meantime, I’d stop panicking about the fact that I’m only a few months away from having lived with my parents for a year. My goal was six months.

I threw myself into getting print books out and writing “Doc Brodie”. I contacted Rachel Maybury of Signal Boost Promotions and planned a Book Blitz and Review Tour to get the word out to new blogs and readers. After a minor panic when the first two days of sales for “Doc Brodie” were sub-par, a kind word from a fellow author prompted me to take a look at my pricing. I realized that based on the length of the novella, I’d set my price too high. I adjusted that and since then, the book has been flying off the (metaphorical) shelves!

Sometimes it’s hard to know what exactly leads to good sales. The time of year, the type of book, what else is going on in the world, along with a host of other factors can greatly influence sales. In general, the summer is a good time for shorter, lighter reads so I think that certainly helped with Doc Brodie sales. I wish I could say that it was because it was such an amazing book, but I know book quality is not always correlated to sales numbers. I am certainly proud of “Doc Brodie” and I never put out anything but my best effort, but I know I still have a lot to learn.  Unfortunately, I know very talented authors whose books don’t sell well.

In the two-and-a-half years since I published my first short story, the biggest thing I’ve learned is that marketing makes a big difference. In the list of people I want to thank for Doc Brodie’s success, Rachel Maybury is definitely one of them. I can’t recommend her highly enough. Her fee was reasonable, she was timely in responding to questions, and I feel she more than delivered what she promised. While it’s difficult to say exactly how much her marketing contributed to the book’s success, I honestly believe it played a substantial part in the fact that Doc Brodie sold more copies in the first month than any previous book I’ve released!

The book’s success puts me in a solid place to focus on “Push & Pull” (with a tentative September release) and I am hopeful that as long as that goes well I will be able to move out sometime this fall. *crosses fingers*

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This blog post is my very long-winded way of saying thank you to all of the people who helped with the book. In addition to Rachel, I’d like to thank Allison Hickman and Helena Stone for their beta work, Sally Hopkinson for her editing, Jessica Stuhr Kurvers and Amy Keating Casey for the proofreading help, and the handful of pre-release reviewers from my private Facebook group. And of course, huge thanks to the bloggers and readers who reviewed and spread the word about the story. Much love and appreciation to all of you. I simply cannot thank you enough. ❤

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